There are good productions of the musical, and the best ones know that the musical is a tragedy, despite the fact that all its best songwriting is comedic, in the first half. If you watch it or listen to it, note: the first two songs (“I Wonder What The King Is Doing Tonight” and “The Simple Joys of Maidenhood”) mock the self-involved self-indulgence of their royal principals. That self-indulgence becomes the war-torn destruction of a culture. So yeah, I reject the critical dismissal of the musical as little other than a Kennedy-era bon-bon. “Fie On Goodness” in 1960 was an acknowledgement of the human element of war crimes, fifteen years after the Nuremberg trials.
A Clarification on Camelot